Skip to main content

Alfonso Cuarón's Roma (2018) A Window into the Life of a Working Class Woman

For every person who keeps their hands clean and smooth from doing heavy duty manual labor, there are people who work thanklessly in the background, making life comfortable for those few. This is the subject of Roma, a film set in Mexico City with original screenplay written in Spanish. Roma takes one of those hardworking people and brings her front and center.

Cleo is the housekeeper of a middle-class family in the 1970s. She cleans the house, cleans the dog poo off the house entrance, brings the family tea, and serves them at mealtime. Cleo comes across as diligent, hardworking, sweet, shy, non-demanding, and loving. The children seem to adore her. She is a constant in their lives, and they treat her as one would expect a person who demands or expects nothing in return. At times, she’s like wallpaper. Other times, they are affectionate with her and desire her attention.

There isn’t much plot to this movie. Cleo does have some romantic adventures and deals with an unexpected pregnancy, and the family goes through some challenges with Cleo standing by to help them. However, the film is more a series of episodes that show you different aspects of Cleo’s year. There are moments of action, but through it all, the camera stays on Cleo, reminding us of her presence.

The viewer is left then in a rare position. There is no one telling us what to think or how to feel about what we are watching. We are free to examine and connect – to judge and peep – to make of Cleo what we will. To make of the people who surround her what we will. And let me tell you, some of it isn’t pretty.

I don’t want to give too much away, but I will tell you at one point, I was sobbing gut-wrenching cries in my living room. I didn’t expect that, and I haven’t had that reaction to a film in a while. Perhaps the last time was watching Eternal Sunshine of the Spotless Mind. I was reminded of how cinema can make us feel so much.

Roma was a look into the window of a life. Cleo’s life as a housekeeper/maid is something I’ve never experienced. This meandering, beautiful film has lovely imagery, compelling characterizations, and a leisurely pace.

By the way, the cars and the furniture in the family home are all utterly divine. 

Comments

Popular posts from this blog

Riley Stearns' The Art of Self-Defense (2019) Movie Review: Do NOT Talk About Night Class

In 1999, David Fincher directed the book to movie Fight Club, a dark stylized comedy about a group of men who form a "support group" of sorts called Fight Club, where they pair up for no holds barred unarmed first fights with one another. Organized by the charismatic Tyler Durden, for a time, the meetings seem to be a good thing. Things start to spiral when the hero realizes Tyler is no good and must be stopped.

In many surface ways, The Art of Self-Defense is quite similar. Casey (Jesse Eisenberg) walks around like he is apologizing for taking up oxygen. He lives alone with his dog and works at a boring, thankless job as an accountant. One day, Jesse is attacked on the street by some unidentified motorcycle riders. He's hospitalized for his wounds and takes some times off work.

On a walk around town, he overhears a karate class and goes into observe. He feels intrigued and inspired by what he sees and decide to sign up for classes. He hopes that he can "become wha…

Ali Abassi's Border (2018): A Dark Swedish Fairy Tale

Have you ever felt like you are alone? Like you exist and move around in a community of people that you are nothing like?

Imagine how Tina feels. She works as a highly competent border guard for the sole reason that her sense of smell is extrasensory. She can smell fear, shame, and any negative emotion on people as they cross through her security area, and she is never wrong about her suspicions. Her work career, however, might be the only thing she has going for her.

She lives on the outskirts of town with a boyfriend that owns a pack of dogs, and from all counts, they live together in a loveless domestic arrangement that is hard to imagine either of them conceiving. Things become a little clearer later as we learn that Tina owns the home and the boyfriend is enjoying the luxury of living rent free. Tina appears to have no family except for the man she calls father, who claims to have adopted her.

Tina is unattractive by human standards and is most often seen staring attentively and …