Skip to main content

M. Night Shyamalan's Glass Movie Review (2019) and Thoughts on Unbreakable and Split

** This reviews contains spoilers from Unbreakable and Split but not of Glass. **

Glass (2019) gives fans of M. Night Shyamalan's Unbreakable (2000) and Split (2016) the chance to see what happens when David, Elijah, and Kevin and his many personalities come together in one hospital and one one screen. It's hard to believe that it's been almost 20 years since Unbreakable captured my attention and heart on screen. I remember vividly watching the first film and being captivated with its storyline. The trailer gave almost nothing away. Yes, there was a time when trailers didn't show all the exciting scenes. All viewers knew is that David Dunn (Bruce Willis) was the sole survivor of a train crash. If you have time, go watch the trailer and see what I mean.

Instead of a survivor story though, Unbreakable takes viewers on a journey that includes love, loss, trauma, and man that has been "getting by" for quite some time now because of a moment of significance. He's been surviving long before the train crash happened. David has lost touch with who he is, but not completely. He is drawn to situations where he can guard and protect from a place of shadow. He's a security guard at a local stadium. Through the help of Elijah (Samuel L. Jackson) and his son, Joseph, he realizes he's a supehero. The revelations are drawn with awe, and I remember the power of the soundtrack, too, as things came to a climax. Personally, I'm not that into superhero comics, so that part didn't interest me as much, but I did resonate with the message of connecting with your true calling and the joy and relief David is able to feel, allowing him to reconnect with his wife and son. This is a theme M. Night has portrayed consistently in many of his films: traumatic events causing one to withdraw from life due to shame and fear, and a feeling of awe and wonder when the person is able to overcome the negative feelings to claim their rightful place. 

Split felt like a very different picture to me. Kevin (James McAvoy), a man with dissociative identity disorder (DID) kidnaps three girls and holds them prisoner in the some sort of basement lair we later learn is connected to the local zoo. In this psychological thriller, Casey is the sole survivor of her ordeal, and even though she is caught by the beast, he lets her go because she is deemed pure of heart, and his qualm is only with the tainted. It's not until the end of the film, when audiences delightfully catch a peek of David Dunn, and we realize it's a tie-in film. I really enjoyed Split, too, but for different reasons. Even though I didn't approve of Kevin's acts, I felt for his pain, and liked the fact that he let Casey go at the end. And the performances of the two leads were impressive, especially from McAvoy. 

Glass has received some negative reviews, and I can understand why. It's a little long, it has a cheesy ending, and I didn't like the fates of the three leads. The parts I enjoyed were seeing David Dunn and what happened to him and his family since the reveal of Unbreakable. I also appreciated seeing how Casey had processed things since her ordeal. There are some riveting scenes, interesting reveals, moments of funny dialogue, and some tearjerker moments. The ending was unsatisfying but fans of Unbreakable and Split will definitely want to catch this one. 

You may enjoy seeing my other reviews of M. Night Shyamalan's movies, The Happening, After Earth, and Lady in the Water. Keep in mind, they are a little old. 


Popular posts from this blog

Riley Stearns' The Art of Self-Defense (2019) Movie Review: Do NOT Talk About Night Class

In 1999, David Fincher directed the book to movie Fight Club, a dark stylized comedy about a group of men who form a "support group" of sorts called Fight Club, where they pair up for no holds barred unarmed first fights with one another. Organized by the charismatic Tyler Durden, for a time, the meetings seem to be a good thing. Things start to spiral when the hero realizes Tyler is no good and must be stopped.

In many surface ways, The Art of Self-Defense is quite similar. Casey (Jesse Eisenberg) walks around like he is apologizing for taking up oxygen. He lives alone with his dog and works at a boring, thankless job as an accountant. One day, Jesse is attacked on the street by some unidentified motorcycle riders. He's hospitalized for his wounds and takes some times off work.

On a walk around town, he overhears a karate class and goes into observe. He feels intrigued and inspired by what he sees and decide to sign up for classes. He hopes that he can "become wha…

Ali Abassi's Border (2018): A Dark Swedish Fairy Tale

Have you ever felt like you are alone? Like you exist and move around in a community of people that you are nothing like?

Imagine how Tina feels. She works as a highly competent border guard for the sole reason that her sense of smell is extrasensory. She can smell fear, shame, and any negative emotion on people as they cross through her security area, and she is never wrong about her suspicions. Her work career, however, might be the only thing she has going for her.

She lives on the outskirts of town with a boyfriend that owns a pack of dogs, and from all counts, they live together in a loveless domestic arrangement that is hard to imagine either of them conceiving. Things become a little clearer later as we learn that Tina owns the home and the boyfriend is enjoying the luxury of living rent free. Tina appears to have no family except for the man she calls father, who claims to have adopted her.

Tina is unattractive by human standards and is most often seen staring attentively and …

Alfonso Cuarón's Roma (2018) A Window into the Life of a Working Class Woman

For every person who keeps their hands clean and smooth from doing heavy duty manual labor, there are people who work thanklessly in the background, making life comfortable for those few. This is the subject of Roma, a film set in Mexico City with original screenplay written in Spanish. Roma takes one of those hardworking people and brings her front and center.

Cleo is the housekeeper of a middle-class family in the 1970s. She cleans the house, cleans the dog poo off the house entrance, brings the family tea, and serves them at mealtime. Cleo comes across as diligent, hardworking, sweet, shy, non-demanding, and loving. The children seem to adore her. She is a constant in their lives, and they treat her as one would expect a person who demands or expects nothing in return. At times, she’s like wallpaper. Other times, they are affectionate with her and desire her attention.

There isn’t much plot to this movie. Cleo does have some romantic adventures and deals with an unexpected pregn…